Version III · Design guide

Atrium — a private museum of work.

The concept, in two sentences: Advisor OS is presented as a small museum — four glass instruments in four rooms, hung in the order a career unfolds, lit by one slow skylight. Everything on the page behaves like a gallery: enormous quiet, hairline gold, catalogue typography, and light that follows the visitor.

i.

Palette

Warm ivory walls sampled from the artworks themselves, so the photographs melt into the page. Espresso ink, champagne hairlines. The four product colours never touch the interface — they live inside the glass, and surface only as plaque dots.

Ivory wall

#F4EADA

page ground, matched to the art

Bone

#EDDFC9

mat gradients, footer wash

Gallery mat

#FAEEDC

frame mats, one tone per room

Espresso

#2B2116

display type, primary ink

Umber

#54462F

body copy, captions

Champagne

#B98F4E

hairlines, numerals, focus ring

CMFAS Prep #2DD4BF Pick a Time #7AA2FF ActivityTracker #FF6B3D FourLens #B79BFF
ii.

Type system

Two faces, set like a printed catalogue. Fraunces — a variable serif — carries every voice of the museum by moving along its optical-size and softness axes; Archivo does the quiet administrative work of plaques and body copy.

The collection

Display — Fraunces 330opsz 144 · SOFT 58 · WONK 0 · tracking −1.5%. Hero and closing headlines, clamped 2.55–7.9 rem. Italic 360 for emphasised words.

Then, fill the calendar.

Whisper — Fraunces italic 320opsz 34 · SOFT 72. Epigraphs, captions and asides — the voice of a wall label read aloud.

Room III · Catalogue № 03

Plaque caps — Archivo 5000.68–0.72 rem, tracked +22 to +30%. Room numbers, kickers, navigation, the wordmark.

One tap logs a call, an appointment, a close. The funnel fills, goals and streaks keep score.

Body — Archivo 4000.9–1 rem, leading 1.7, umber ink. Descriptions, specifications, answers.

iii.

The signature — the light

A museum is really a building for light; the software is only what the light lands on.

A warm radial field breathes on an eleven-second cycle and leans toward the cursor — two custom properties (--lx, --ly) eased through a requestAnimationFrame loop at 4.5% per frame, drifting on its own after 2.8 seconds of stillness, exactly like sun crossing a skylight. It is running on this page now. Beneath it, each framed work tilts no more than 2.1 degrees toward the pointer while a specular sheen crosses the glass in soft-light blend — enough to make the photograph feel dimensional, never enough to make it perform.

iv.

Techniques

v.

Scorecard

Rubric score — pending final pass